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    TV Then And Now: How The UK’s TV Habits And Programming Have Evolved

    TV Then And Now: How The UK’s TV Habits And Programming Have Evolved

    Televisions have been through an incredible transformation since their first creation, but have our viewing habits and the industry changed as much as technology has developed?

    Currys PC World conducted a study into the evolution of television to investigate just how much the world of TV has changed and adapted over time. Here are a few of the key takeaways.

    Broadcast TV is on the decline, but the British public are embracing a multitude of new ways to watch

    With huge cultural and technological shifts, you’d expect TV habits to adapt with time. Today, not only can TV be watched on various different devices (TV, laptop, smartphone, tablet), but there’s also a wealth of content available on numerous platforms (broadcast TV, pay-TV (Sky, Virgin, etc), SVODs (Netflix, Amazon, etc)).

    While 84% of Brits still prefer to watch on a television set, two in five 16-24-year-olds say they’d rather watch on a non-TV device. What’s more, over 15 million households now have at least one SVOD (subscription video on demand) service, and 6% less Brits describe watching TV as “family time” now than 10 years ago.

    In terms of content, genres have shifted in popularity over time. Based on the top-rated programs of each year, entertainment was the leading TV genre in the 60s, with programs such as the Eurovision Song Contest and The Mike Yarwood Christmas Show stealing the show. Today, we prefer reality TV, such as the Great British Bake Off, which topped the most-watched list on two different years in the 2010s.

    Leisure has seen the biggest growth in demand, demonstrating a huge 870% increase in broadcast hours between 2012 and 2019.

    The UK turned to TV as a key source of lockdown entertainment

    • The average Brit watched 3,270 minutes of TV during lockdown
    • One in five Brits said they watched more comedy than usual over lockdown
    • One in 5 Brits describe TV as a form of escapism
    • The Prime Minister’s statement about “a conditional plan” for easing lockdown attracted 27.5 million viewers across the U.K.

    With a national lockdown confining Brits to their homes, many people sought solace in TV.

    During the peak lockdown period in April, the British public watched 34 more minutes of live broadcast TV, and 37 more minutes of SVOD content a day than they did at the same time the year before. And, as well as watching more TV during this time, they also reported watching it at different times of the day. One in 10 Brits confessed to being more likely to watch TV in the middle of the day than pre-lockdown, and 4% more people watched late into the night.

    The type of content being watched also differed, with over a quarter reporting watching more news (28%) and drama (27%), and a fifth turning to comedy (21%) and documentaries (18%) more often.

    The rise of subscription services has led to TV revenue coming from new places

    • TV advertising revenue has fallen, but subscription services are bringing increased revenue to the industry
    • During the UK lockdown, TV advertisers pulled £1.1 billion in spend
    • Based on average wages, in the 1960s, it would have taken approximately 35 weeks of saving to afford a TV. Today, it would take just two weeks.

    All sorts of factors can impact the TV industry’s revenue, including technological advancements and world events, such as the COVID-19 pandemic and consequential economic recession.

    TV advertising has been one of the largest sources of revenue for the UK’s TV industry since its debut in 1955. While it has taken a huge hit over recent months – as many advertisers chose to cut their spend – TV advertising was already on the decline before this. Revenue was £4.3 billion in 2015, before dropping to £3.7 billion in 2019.

    In terms of the cost of TV sets themselves, they have become much more affordable. With inflation considered, TVs in the 1960s were worth the equivalent of £6,000 or more. Today, it is closer to £1,000.

    Some minority groups remain underrepresented in the UK’s TV industry

    • People with disabilities make up 18% of the UK workforce, but only 5% of off-screen TV jobs and 8% of on-screen TV roles
    • ‘Over 50s’ make up 31% of the UK workforce, but only 21% of off-screen TV jobs and 25% of on-screen TV roles
    • Minority ethnic people make up 12% of the UK workforce, but only 9% of senior TV jobs
    • Women make up 46% of the UK workforce, but only 26% of senior TV roles

    Historically, minority groups have been underrepresented both on-screen and behind the scenes in the UK’s TV industry. Unfortunately, today, some groups remain underrepresented or are not offered the same opportunities as others.

    Thankfully, largely in response to the recent Black Lives Matter movement and other inclusivity campaigns, UK broadcasters have pledged to take action to diversify their content and workforces.

    The BBC, for example, has committed £1 million to produce “diverse and inclusive content.” Meanwhile, ITV has set a target that 15% of managers and staff should be from a minority ethnic background by 2022. Sky claims to have “exceeded” its target for 20% minority ethnic representation in the workforce, and Viacom (owner of Channel 5 and MTV) also has a relatively strong record on diversity, with 20% of staff coming from a BAME background. Channel 4 also launched a strategy in 2018 called “4 All The UK” to ensure that their content serves the whole of the UK in a representative way.

    2 Comments

    • Elisa
      October 18, 2022

      You are right, television and programs have constantly evolved and changed. I like that now there is content for everyone, and everyone can find something for themselves. For example, I love watching court cases, and recently read court tv review to learn more about this program. For me it’s perfect for the evening.

    • Patricia Dobs
      October 22, 2024

      The UK’s TV habits and programming have undergone significant evolution over the years, reflecting changing viewer preferences and technological advancements. With the rise of on-demand services, traditional broadcasting is being complemented by platforms offering diverse content. The IPTV Ecuador exemplifies this trend, providing access to a wide range of international shows and films, appealing to audiences seeking variety. The shift towards streaming has led to increased competition among broadcasters, prompting innovative programming strategies. As a result, viewers now enjoy greater flexibility in how they consume television, marking a new era in entertainment consumption in the UK.

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